Slide Through, Do Not Jump Over
A crack is a gear change you did not plan.
Builds on Self-Check: Switch on Cue.
How to practise it
1.Use the practice material
Open the practice material on this page and choose Octave siren or Easy fourth siren. Hear the reference, choose a comfortable key, then stop it before singing. The reading Registers, and why they exist is listed there too.
- Look:
- The exercise, song or chapter is open. Your chosen range remains comfortable.
- Listen:
- Synthesized pitches supply the notes; they are not recordings of a singer demonstrating a technique.
2.Set a safe baseline
Start with a lip trill, hum, or narrow vowel across an easy five-note span before attempting the octave. Keep the endpoints inside your comfortable range.
- Look:
- Posture, room, device, and the planned stop rule are settled before the first attempt.
- Listen:
- Begin from an easy, repeatable sound; silence playback before judging your own voice.
3.Name the target: Register blending
A crack is a gear change you did not plan. Say what will count as complete in this lesson before practising, and keep the attempt inside the range and duration you can repeat comfortably.
- Look:
- Follow the start and end pitches in the supplied Octave siren, then stop playback before your attempt. Keep the jaw and neck easy while listening for the transition.
- Listen:
- Judge the continuity from your recorded playback. Listen for a jump, break, or abrupt change in tone; the reference notes do not show or evaluate your voice.
4.Hear the distinction
Make two brief, comfortable examples of the idea in “Slide Through, Do Not Jump Over.” Change only the named variable. Record both contrast examples in one take with a quiet breath between them, then return to the easier baseline. Record your takes in the recorder. Slide slowly enough to hear the transition instead of jumping across it. Use less volume near the gear change and keep the vowel narrow.
- Look:
- Follow the start and end pitches in the supplied Octave siren, then stop playback before your attempt. Keep the jaw and neck easy while listening for the transition.
- Listen:
- Judge the continuity from your recorded playback. Listen for a jump, break, or abrupt change in tone; the reference notes do not show or evaluate your voice.
5.Review your own attempt
I followed a comfortable portion of the siren up and down and listened for continuity on each vowel. Compare your attempt with the supplied material and choose one smaller adjustment for next time.
- Look:
- Note the pitch, key, or setup you used so that your next comparison is useful.
- Listen:
- Listen for the specific change taught in this lesson. A self-check is your own reflection, not an automatic vocal score.
Where to practise
Nothing in Suede Sing measures this, so the self-check is your ear and your recording. What it shows: That the slide sounded continuous to you. The pitch trace is shown; no number scores the absence of a crack.
No sessions in the warm-up room on this device yet.
Practice material
The exercises and songs play synthesized reference pitches: they supply the notes, not a recording of a singer demonstrating a technique. Record your takes in the recorder.
- Warm-upOctave siren
- Warm-upEasy fourth siren
- BookRegisters, and why they existPart of Suede Pro
- BookThe passaggio: where it breaks and whyPart of Suede Pro
Practice blocks
A guide to the 4 minutes, rests and review included. Pause or repeat any block.
- 30 sOpen the practice material. Prepare the room, body, and safe baseline for “Slide Through, Do Not Jump Over.”
- 60 sIsolate the register blending target in short, comfortable examples.
- 90 sPractise or record the complete “Slide Through, Do Not Jump Over” task, resetting between attempts.
- 60 sReview one take against the stated listening goal and write the next smaller correction.
If it goes wrong
The target disappears when the range, volume, speed, or duration increases.
If the sound flips abruptly, reduce volume and span, return to a trill or hum, and cross the same area more slowly. Stop if it feels tight.
The reference and your own sound seem different, or you cannot judge the result.
Treat the reading as missing, not as a pass or failure. Stop reference audio, restore a quiet setup, make one easier fresh attempt, and keep the human listening judgment separate from the measurement.
Self-check
- I followed a comfortable portion of the siren up and down and listened for continuity on each vowel.
- Judge the continuity from your recorded playback. Listen for a jump, break, or abrupt change in tone; the reference notes do not show or evaluate your voice.
- I kept missing or uncertain evidence as missing instead of awarding myself a measured pass.
- Ready when
- You can describe the result of the stated task and choose one useful next attempt. Completion is your own practice reflection.
- If you're not ready
- If the sound flips abruptly, reduce volume and span, return to a trill or hum, and cross the same area more slowly. Stop if it feels tight. Repeat a smaller version on another fresh attempt rather than forcing the checkpoint.
- What this shows
- I followed a comfortable portion of the siren up and down and listened for continuity on each vowel. This is a self-report, not an automatic assessment.
- What this does not show
- An automatic pitch, rhythm, register, tone, or safety result. Absence of a register crack from a voiced-run number; the app shows pitch but does not detect register breaks.
Sources: Taking Care of Your Voice (General voice-care practices, symptom awareness, and seeking professional help for persistent voice problems); Voice Disorders (The boundary between educational listening practice and clinical evaluation or treatment).
Work in a comfortable range and volume. Stop for pain, burning, sudden hoarseness, loss of range or a change in your speaking voice. These lessons teach practice decisions and stop rules; they don't diagnose or treat anything, and pitch readings do not assess vocal health. Persistent symptoms belong with a qualified clinician, not another attempt.